Simone is pictured taking cover during the liberation of Paris in August 19, 1944.
Members of the French Resistance are photographed in the midst of battle against German troops during the Liberation of Paris. We see a man in makeshift army fatigues to the left and a young man on the right. Then, most strikingly, we see a woman in shorts, a patterned top, and a military hat in the center. The photograph of this young female fighter would become a symbol of women’s involvement in the Resistance.
Her name was Simone Segouin, also known by her nom de guerre Nicole Minet. When this photo was taken she was 18 years old. The girl had killed two Germans in the Paris fighting two days previously and also had assisted in capturing 25 German prisoners of war during the fall of Chartres. In 1944, at the height of the Nazi occupation of France, she joined the Francs-Tireurs et Partisans (Free-shooters and Partisans, or FTP) – a combat alliance made up of militant communists and French nationalists. Simone was very much in the latter camp. Her father was a huge inspiration – a decorated soldier who had fought in the Great War – and she was intensely proud of her country.
Simone Segouin was involved in armed actions against enemy convoys and trains, attacks against enemy detachments, acts of sabotages etc. The French newspaper Independent Eure-et-Loir on its August 26, 1944 issue described her as “one of the purest fighters of heroic French Resistance who prepared the way for the Liberation”. She was present at the fall of Chartres, on August 23, 1944, and at the Liberation of Paris. She was promoted to lieutenant, and awarded the Croix de guerre. A street in Courville-sur-Eure was named for her.
Simone Segouin poses with a German MP 40 with which she is most proficient.
Simone Segouin in George Stevens’s 1944 film. It immortalises an 18-year-old Simone shortly after she helped capture 25 German soldiers in her home village of Thivars, south west of Paris.
The gun she’s holding is a German MP-40. Many German weapons were captured and used by the French Resistance. The gun was effective in close quarters, due to its automatic fire and moderate stopping power against regular infantry enemies. The MP-40 was often called the “Schmeisser” by the Allies, after weapons designer Hugo Schmeisser. Schmeisser had designed the MP-18, which was the first mass-produced submachine gun, and saw extensive service at the end of the First World War. He did not, however, design the MP-40.
Simone went on to become a paediatric nurse in Chartres, where her wartime exploits made her hugely popular. Despite her swashbuckling war years, Simone was always aware of how difficult it had been for women to play a role in the Resistance. They made up little more than ten per cent of the force, and the majority were confined to non-combat roles. But nonetheless, their presence had helped force a shift in the way women were treated.